Racetracks and movie theaters have at least two commonalities: They are both multi-billion-dollar entertainment businesses and customer attendance at their physical facilities is increasingly threatened by information and communications technologies. Racetracks have seen customers migrate to off-track locations and to remote wagering over the telephone or Internet. Customers of movie theaters have a variety of alternatives, such as renting and buying from a physical store or kiosk, purchasing from a cable television company, and placing and receiving orders over the Internet or by mail. Home entertainment centers have become so sophisticated that they approach or sometimes exceed movie theaters in audio and video quality.
Following is how horse-racing handle in the United States compares to movie-theater box-office revenues over the past decade, an era when the Internet has become ever-more sophisticated and popular as a means to deliver intangibles like wagers and movies.
Racing Handle Theater Gross
(billions of $)
2009 12.3 10.6
2008 13.6 9.6
2007 14.7 9.6
2006 14.8 9.2
2005 14.6 8.8
2004 15.1 9.3
2003 15.2 9.2
2002 15.1 8.4
2001 14.6 7.6
2000 14.3 7.4
Percentage Change from Previous Year
Racing Handle Theater Gross
2009 -9.9 +10.0
2008 -7.3 – 0.3
2007 -0.4 + 4.9
2006 +1.5 + 4.2
2005 -3.6 – 5.8
2004 -0.5 + 1.5
2003 +0.8 + 0.9
2002 +3.2 + 8.8
2001 +1.9 + 9.8
2000 +4.4 + 2.9
Whereas racing handle continues to be considerably larger than movie theater gross, the theater business has been more resilient. In the past three years, handle has decreased and box-office gross has gone up in two of these same three years. In 2009, handle declined by nearly 10 percent while theater gross increased by 10 percent, so the gap between the two is closing.
In the face of tremendous competiton from the likes of Netflix, movie-rental stores, cable television video-on-demand, HBO, home entertainment centers, and pirated movies on the Internet, the retail movie-theater business has been able not only to hang on, but also to manage to grow. Although racetracks are not located nearby to virtually every American, as with movie theaters, those that evidently provide an entertainment experience customers enjoy, such as Del Mar, Keeneland, and Saratoga, can and do attract people from considerable distances.
The racing industry will have to reverse the stagnation in handle, or undergo a huge downsizing. The crutch of supporting purses from alternative gaming revenues will not last because the businesspeople who run racinos and casinos and the elected officials in racing states will sooner or later stop the practice. The movie-theater example shows that an old-line entertainment business is not necessarily condemned to permanent decline in an age of proliferating communications technologies. Moreover, racetracks have an overwhelming advantage over movie theaters with regard to such technologies. While movie delivery via the Internet and cable television are direct substitutes for going to a retail theater, these are user-friendly technologies for horse racing. A wagering transaction can be conveniently consummated with people near and far to an actual racetrack.
Copyright © 2010 Horse Racing Business
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